Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Friday, February 25, 2011

Winter 2011's Letter from the Editors

I write because I love it. There’s no other reason. Yes, literary fame and glory would be amazing beyond my wildest dreams, but it’s not the end goal. I write for me. For my benefit.

I don’t have an explanation, either. Many people seem to expect one, but to me, it’s like asking someone why they breathe or why they wear a coat outside in a snow storm. It’s just the natural thing to do.

And I can see why some people don’t understand. Writing is hard. It’s hard to form a cohesive idea, it’s hard to get motivated and start writing (like this editoral), and it’s hard to continue and finish to the end. Writing is messy. Ideas don’t often come in chronological order. And most of all, writing is risky. It’s nerve-racking to put so much of yourself in one project that might fail and be the subject of ridicule for all to mock.

But, as Philip Pullman wrote, “What is worth having is worth working for.” Writing is exhilarating. There’s nothing more thrilling than saying, “Fuck it,” tossing all your fears and doubts out the window, and just facing your words and ideas. Nothing is better than just telling yourself, “That’s what revision is for,” and just watching one sentence become a paragraph, a paragraph become a page, and a page become a story. That’s what writing is all about.

Writing is my own private thrill. It’s my passion and my pain.

And I wouldn’t have it any other way.

Tainted Tea Winter 2011 is available now on Lulu.com.

Support independent publishing: Buy this multimedia on Lulu.

For a complete list of contents and a free preview, visit the Web site.

Thursday, January 13, 2011

Guest post by The Writing Nag

"A word is not the same with one writer as with another. One tears it from his guts. The other pulls it out of his overcoat pocket." ~Charles Peguy

Whether you write horror, suspense, poetry or non-fiction, the words you choose can turn a dull piece of writing into a piece that is powerful, memorable, and exciting. All creative writers can add to their vocabulary by reading and writing across genres, and actively adding new words to their writing. Many creative writing teachers will suggest keeping a notebook with you at all times to jot down words, phrases, and snippets of conversation. I've kept a word collection notebook for years...many times it's this notebook and a favorite word that sparks a writing session.

On Saturday I went to a poetry workshop where we played with words. Using Susan Goldsmith Wooldridge's book Poemcrazy, everyone in our small group wrote nine words on small pieces of paper (Wooldridge calls them "word tickets"). The small pieces of paper were gathered together and we all started freewriting.

As we wrote, the instructor walked around and tossed words in front of each writer. Sometimes one; sometimes two or three at a time. We were instructed to keep writing our piece but to integrate the new words into our writing. Because these weren't my words the new words in front of me felt fresh and exciting. Adding the words changed the direction of my writing but it didn't change my voice.

Consider trying this prompt even if you're not in a group: If you're stumped for new words, try flipping through a stack of magazines and snipping out words or word phrases that speak to you. Practice integrating these new words in your writing when you feel like you've reached the end of a writing session, you may be surprised where a new word can take you.


The Writing Nag blogs about creative writing, poetry, and the practice of writing daily at http://writingnag.blogspot.com.

Wednesday, January 5, 2011

Ponder this:

Michelangelo said, "Every block of stone has a statue inside it, and it is the task of the sculptor to discover it." Do you think that's the same with writing? Is there a story or poem in every sheet of paper?

Thursday, September 9, 2010

“Is it progress if a cannibal uses a knife and fork?” ~Stanislaw Lee

You have been captured by cannibals. How do you try to convince them not to eat you? If that fails how do you attempt to get away?

Source: Writer's Digest

Tuesday, March 23, 2010

Friday, March 5, 2010

Call for Submissions: Write On! Books

Calling all Young Writers:


We Want to Publish Your Work!
·         Are you a young writer in elementary school, middle school or high school?
·         Have you written a short story, personal essay, or poem?
·         Do you want to be a published author?

Write On! Books wants to read your writing!
We publish anthologies of work entirely by young writers!

Go to www.writeonbooks.org to submit today!
You can also e-mail submissions to dallaswoodburn@aol.com.

Don’t have access to Internet? You can mail your submissions to:

400 Roosevelt Ct.
Ventura, CA 93003

In your submission please be sure to
include your:
• Name
• E-mail address
• Mailing address
• Grade level

Compensation: If your submission is chosen:

• I will help you edit your short story, essay or poem to make it the best it can be.
• You will be a nationally published author!
• You will have the opportunity to do book signings in your community.

Don't delay! The submission period for our first
anthology ends March 23, 2010.

Thursday, February 25, 2010

If pet peeves were really pets, would you neglect them?

It's snowing again. Write about a pet peeve plague. Everyone in the world (but you, of course) have been infected with a virus that makes them wander earth doing all of your pet peeves. Oh, no! Everything is written in bad grammar! Run!

Monday, February 1, 2010

"Horns" by Joe Hill


Taken from HarperCollins' Web site:

Joe Hill’s critically acclaimed, New York Times bestselling, Bram Stoker Award-winning debut chiller, Heart-Shaped Box, heralded the arrival of new royalty onto the dark fantasy scene. With Horns, he polishes his well-deserved crown. A twisted, terrifying new novel of psychological and supernatural suspense, Horns is a devilishly original triumph for the Ray Bradbury Fellowship recipient whose story collection, 20th Century Ghosts, was also honored with a Bram Stoker Award—and whose emotionally powerful and macabre work has been praised by the New York Times as, “wild, mesmerizing, perversely witty…a Valentine from hell.”

Pre-order your copy here.

Thursday, January 21, 2010

Neil Gaiman is an American God...or is it European God?

Yesterday afternoon author Neil Gaiman (American Gods, Coraline) did a live Q&A for The New Yorker along with journalist Dana Goodyear. Click the picture below to read the transcripts from the hour-long fun-fest. And yes, I feel really cool since Neil Gaiman answered my question.


Wednesday, January 6, 2010

Breaking News: Tainted Tea editors being held for $100 million ransom

Not really...

"You wake up shackled to a chair and can't remember how you got there. Two voices are talking. You recognize one of them."

Source: Writer's Digest

Tuesday, December 1, 2009

Free Books!! Coloring Contest!!!

Writing Tips for the Day: Take a break from horror. And check out this coloring contest from new writer, Patrick Wensink, who recently published his first book, Sex Dungeon for Sale! Anyone who loved a book titled Help! A Bear is Eating Me! is awesome.

Here's the details:

Patrick Wensink recently decided there’s only one way to celebrate the release of his book, “Sex Dungeon for Sale!”. And that is by holding a coloring contest.

He had a series of illustrations created based on some of the book’s stories, including a Kindergartener who thinks he’s French, a puddle of ketchup shaped like Elvis and something called, “Chicken Soup for the Kidnapper’s Soul.”

While the coloring contest sounded like fun, Wensink added a little excitement by offering an autographed stack of his favorite books from 2009 to the winner.

Fool- By Christopher Moore
Tales Designed to Thrizzle – by Michael Kupperman
AM/PM – By Amelia Gray
Help! A Bear is Eating Me! – By Mykle Hansen

The contest ends December 14.

For all the details visit www.patrickwensink.com/randomness

Thursday, November 12, 2009

"At a swim pool party last long weekend I found some real cool fun in the deep end..." --Little Nell

You and a friend break into your neighborhood swim club late one night to go for an after-hours dip. While splashing around in the pool, you go into shock when a dead body floats to the top. Worse yet—it's someone you know. Write this scene.

Source Writer's Digest

Wednesday, November 11, 2009

"Sweet dreams are made of this..."

Taken from my blog:

I am writing a character-driven novel and in order to understand my characters I want to know everything about them. One thing I never thought of is: what do my characters dream about? Do they have nightmares? Wet dreams? Dream in color? Black and white?

Write a dream sequence. (The beauty of this exercise is that it doesn't need to make ANY sense as it is a dream.) Next, grab a dream dictionary. What have you learned about your character? Just let your subconscious write this for you. Maybe you'll be surprised at what you find out.

I did this exercise for my main character--the anti-hero. I put lots of thick fog in the dream and found out that he was walking through life disoriented. Funny enough, he is! Good job, subconscious.

Wednesday, September 2, 2009

Recommended Reading II: Kris's Picks

Like Shane, I also read a ridiculous amount of short stories. This is due to both my love of fiction and the tendency for bookstores to sell many a short story compilations on the bargain table.

Anyway, here are some short stories that have resonated and stuck with me over the years.

  • Ray Bradbury: "Homecoming"
  • Matt Venne: "Elvis Presley and the Bloodsucker Blues"
  • Orson Scott Card: "Eumenides in the Fourth Floor Lavatory"
  • Bram Stoker: "The Judge's House"
  • Charlotte Perkins Gilman: "The Yellow Wallpaper"
  • Joyce Carol Oates: "Thanksgiving"
  • Roald Dahl: "Genesis and Catastrophe"
  • Stephen King: "Popsy"
  • William Sleator: "The Elevator"
  • Amy Bloom: "Silver Water"
If you would like to know where to find any of the stories mentioned above or the ones in Shane's picks, email us at taintedtea.editors@gmail.com.

Saturday, August 1, 2009

Ancient Energy



There is something sensual, eerie and tantalizing about a lighthouse. They exude a vintage, gothic vibe from the way their lights pulsate like they're breathing. In, out, in, out...


Dominating even! Thrived and nourished by sailors. Without the lighthouse, their ships would be lured by the Siren's song, crashing onto the rocks.

As we wrap up the summer (what, three/four weeks?), what better theme than these candles on the water?


When I think of a lighthouse, I think of them as ghost houses: a wispy-haired woman standing over the edge as the spinning light casts her weeping silhouette on the humid, soggy sky; her white, ever-flowing dress is drenched from pelting rain as she waits for her sailor-lover to reuturn. (They were to be married.)


There a many stories of haunted lighthouses from the Yaquina Bay Lighthouse in Oregon to the ghost inhabiting both the Old Baldy and Cape Hatteras lighthouses. Do you know of any haunted lighthouses? Make one up if you don't.






Friday, July 24, 2009

Are you a bad nut?

A few years ago, my family had an addition built on our house so my B-Mom and great-aunt could live with us. Having the room adjacent to the roof, my window has a nice view of distant trees and curling roof tiles.

Sometimes, when the weather’s nice, I like to sit on the roof and read, write, or just take in the air. It's nice to feel like I'm on top of the world.

Good writing material, huh?

As I look at almost everything in life as an inspiration--locking memories and visuals away in some gym locker in the back of my mind--here is where I could write about the obvious “we built the addition on an Indian burial ground,” but instead pulled out something from the locker that my great-aunt told me about two years ago:

We were sitting in the pygmy kitchen/den when she claimed to have heard big squirrels scampering about on the roof (due to my family’s paranoia I don’t tell them I frequent the roof).

What if she was right?

Maybe a bunch of squirrels got loose from Willy Wonka's chocolate factory? Yet, squirrels looking for bad nuts isn't a great premise for a horror story though, is it? So what if there were really giant, hairy creatures scurrying across our black and blue crumbling roof tiles?

Tell us about it. Here's mine:

Margaret lay in her bed, magazines strewn across the right side where a husband should have lain. They kept her comfortable, the magazines, filling a certain hole in her heart. As she thumbed through Reader’s Digest a thump came from the roof. It’s too early for Santa Claus, and not geographically correct for ninjas, she thought. She knocked the sound out of her head. It must have been a squirrel she told herself.

The news was coming to an end. “Breaking news…” but Margaret turned it off. She vowed to be asleep before Leno came on unless one of her soap stars happened to be on. Another thump shook the roof, this time echoing outside. “Damn pests.” Since she had moved from Germantown to a suburb of Philly she learned to hate squirrels. Living in the city she rarely had to deal with them. Rats, yes. But squirrels. There was something about these rodents. It could have been their bushy tails, or their black, zombie eyes. They were worse than rats because they could leap, climb, almost fly.

Almost in her late-eighties, Margaret was just waiting for the day she’d die. Those sunken, periwinkle eyes were losing all their color. Her lips were chapped; wrinkles running like map rivers which made her red lipstick bleed into her skin. Every time the wind blew, or the weather dropped below 70 her bones would ache and yell. It was time.
Shifting her pale, dead eyes to the whirring ceiling fan, she breathed heavy, shallow breaths. Her arms were dumbbells as she lifted them and placed them on her chest. As she smiled, her whole face quivered and shook. Then there was another bang. Three. Like children’s footsteps racing, pitter-patting over the crumbling roof.

“Oy! These fucking squirrels.” It might have been her mouth to blame for never being married.

Her father was in the military and –

Another bump.

Margaret hopped out of her bed, nearly dislocating her hip. The bedside lamp flickered as a whoosh of wind blew over trees. Her feet shimmied, taking her over to the window. Outside was blacker than chimney soot. She could see Carol and Steve Creed’s porch light on. An owl scooped down, or at least Margaret could hear it’s dinner squeak and then rustle in the tree. The night seemed so deadly. Two houses down smoke bellowed from the fire place. A familiar smell of burning wood circled the room putting Margaret at ease. The scratching squirrels on the roof were even louder and ferocious from the window. She put two shaking hands down on the window sill. “Shoo,” she called. Her voice came back to her. “Git outta’ here.” The scratching continued. Her heart, her small, fragile heart began to pick up speed. She could feel a little moisture form above her brow. It was almost midnight. The light flickered behind her again. Her neck hurt as she turned it towards the porcelain lamp. On the roof, where the scratching continued, she heard a faint, clicking sound. Like teeth chattering, or a 45 on a record player that was done and waiting to be turned off.


The scratches ceased. She turned her head to look back outside, hoping to see something in the void of darkness. Her cat jumped on the chair beside the window. That’s when she screamed. And that’s when the scratching continued. “You scared me, Jackie. You nearly gave mama a heart attack.” The black tabby, its copper highlights shimmering like an ocean under the moonlight, cooed and nestled against her knew. Her stocking began to roll down her leg. “What is that, Jackie? What’s the sound?” She was talking to her cat like the daughter she never had.
Taking a seat next to her cat, she pulled a tin can, a painting of Vermont in March. She used to keep cookies in there when her niece and nephew would visit. Now they were gone; careers, families, and new locations. As she cleaned the weed, she thought about Caleb. She liked him most.

The light went off. On.

He was CEO of some company she couldn’t remember the name of. Rolling the blunt she smiled.

She never would finish smoking it, but the first hit was always the best. It burned her weak lungs, but it made her head stop spinning. Her eyes closed as she held her breath for a second. Those dying eyes dilated, giving them color again.

Scratching. That damn scratching. The can sat on top of the magazines, its lid black and burnt from ash. She let the jay burn on there for a bit as she got up to look out the window. The light buzzed on and off faster this time, like a strobe light. Something else, another sound, haunted the room. It sounded like a dog at first, but as she leaned her ear closer to the window, it sounded more like a child with emphysema. A deep heaving chest. Margaret could only imagine a turtle back bellows used to make a fire grow bigger; the valve going in, out, in, out like a fishes mouth.

A warm, foul odor like rotten eggs and fecal matter came in through the window with the air as a ghost would come through a wall. The panting, the scratching, the smell, the dancing light…

Margaret was anxious. Then the lights went out. The light next door at the Creed’s, her bedside lamp, the moon, her burning weed. All out now. She stared out the window. That stench and warm, sticky smell came through the screen as she pressed her nose against it. Then a low growl, like a hungry volcano, resonated through her ears. And when her eyes adjusted to the darkness, she was in the face of a beast.

Its long snout, crooked, piano wired whiskers jutting out like a beet field, pressed against her pig nose. “No.” Her exasperated voice, a balloon deflating, was the last thing she’d say. Unless you count the screaming. That beast, that, that thing pawed at the screen. Claws like hairy raptors. They pierced the tiny wires, splicing them from top to bottom like gutting a fish. As the monster wriggled through the window, Margaret looked around. A bag of wire hangers were beside her. She was on the floor, against her closet now. No strength make it out the door, or even to the phone on the end table beside her bed to call for help. She could scream, but she couldn’t muster any breath just yet. She was breathing heavily like the gigantic rat beast coming through the window. The fur was steel wool and shades of brown, copper, silver and red could be seen if the lights were on. It plopped to the floor, birthed from the window, its tail, a thick, long, writhing worm stood taller the beast itself. Its buck teeth clicked against its split, snake-like tongue. At first the poor old woman thought it was smelling her out, but then another battering shook the screen. One, two, three, four more beasts came into the room. Their noses sniffed the air. They formed a V shape, then scurried to each corner of the room.

Jackie had since left the room, and now Margaret was left with these creatures. To die. To be mauled limb from limb. Like a Thanksgiving turkey. When the pain seared through her veins, crawling from her toes to her skull, that’s when she breathed from her diaphragm and began to scream. The sound was cut off quickly, as if her vocal box had been ripped out. Or maybe that’s because her vocal box had been ripped out.

Monday, July 20, 2009

Why submit?

I answer "life's most difficult calls."

I'm a call specialist which primarily consists of answering phones for funeral homes. Perfect for a horror writer/editor, right? For the sake of this blog: "Hells to the yeah!"

Three days a week I sit in a near-windowless cement block in a suburb of Philly. Our cubicles are diced like a Rubix cube that had just fallen to his doom from the top of the Eiffel Tower. My soul is connected to a headset, it's cord crawling around a Mac the size of a baby elephant. And I talk to widow's who just want to pick up their husband's ashes. Did I mention he died three years ago? It really isn't that bad, but that isn't how I want to be remembered.

J.K. Rowling said that she'd like to be remembered as the girl who did her best with the talent she has. Good answer, Jo! This is where you come in:

I don't care what anyone says: everyone has at least one talent. Maybe you can make a mean grilled cheese sandwich or write a Best Selling novel. Perhaps you make a mean grilled cheese sandwich while writing that novel! Whatever it is, you're talented. And if you're an artist you have to share your work. It should be a law.

How else are you going to be recognized if you don't put your work out there? When your story is published or your art piece is printed anywhere, you just left a legacy. You are forever archived and when humans are nothing more than babbling, technological fools hovering in their metallic Lazy Boy hooked up to oxygen, you will still have a place on earth.

And, although I'm not sure if it's scientifically proven, getting published boosts your confidence. I know when I see my name in print I gleam. Someone thought my work was good enough to be showcased!

So do it.

I dare you. Take a swig of Tainted Tea and live forever.
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